THIS LAND IS OLD AND DARK #1 (INVADER COMICS)
In colonial times, Fort Courage is seen as a haven to some.
For others, it means control. One person who ruffles the dynamic of the fort is Jacques. Being a popular figure amongst its’ residents has had some rewards. It also put a target on his back.
Councilmen see Jacques as a threat to their wicked schemes. They seek to cast him into the unknown outside the fort’s impenetrable gates. What lies in wait is anything but welcoming.
THIS LAND IS OLD AND DARK #1 by Ryan Crowe & Abel Garcia (Invader Comics) embarks on a supernatural look into the past.
Let’s take a closer look at this debut.
THIS LAND IS OLD AND DARK #1 by Ryan Crowe & Abel Garcia (Invader Comics)
*** POSSIBLE SPOILER WARNING ***
Crowe puts forth a tale of two narratives to begin this intriguing story. A quick narration of where this story begins is a great touch (I wish more series did this for their opening rounds). From here, the writing dances around the supernatural horror aspect. Seeing the skinwalker massacre the group of cast-outs makes a bold impression. There is no forgiveness involved in its actions. The moment is quick, visceral and ushers in a more calm portion of the story.
Watching Jacques teach his daughter about hunting is a very steady part in crafting his heroic aura. This is in stark contrast to Councilman Absalon. His cruel nature jumps off the panels. Readers see the seeds of conflict start developing once both parties meet. This is only amplified even more when a disturbance hits the gated community. The writing shows how Jacques caring qualities ignite a far larger storm than expected. Crowe pivots directions to get a deeper wedge planted between the two leads. It results in a natural progression of their friction. It leaves events with much uncertainty as some factor come into play. Suffice to say, there’s many ways to go from here.
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Garcia keeps a distinct color pallet going throughout this chapter. Using the faded look, readers feel like they’re watching a history book come to life. The starting panels pop with the red coloring showing the blood in it’s most blunt form. This worsens with one victim’s horrific demise. A terrifying full page image shows the remainder of the carnage as events turn the corner.
Jacques’ family bonding moment teases some happiness in the air. Even with the coldness of hunting, Virginia’s smile of achieving goal steals page time. Absalon’s unforgiving persona rings through as he mercilessly punishes someone. This evil conduct brings more uneasiness to the first meeting with Jacques. The fallout shows the councilman’s embarrassment and following vengeance. Readers watch as tempers flare as the councilman takes out his plans of jealousy. The result sets up a tense close. A final half panel crafts a haunting sense of what’s to come. It definitely leaves an impact on the readers to ponder over until next time.
FINAL GRADE: 8.7
A frightening look at horror in colonial times will spark readers’ interest in this deceptive debut. Crowe keeps readers guessing of who the real monsters are with the writing. Garcia frames the art in a throwback feel that knows when to deliver the terror. This is one to have on your radar for New Comic book day.
Let me know your thoughts on THIS LAND IS OLD AND DARK #1 in the comments below. Thanks for reading!
